Stranded in a remote country village in 1920s
England by his car breaking down, shy young Arthur finds himself drawn to the
rough mechanic who comes to his aid, Bob Goodman. Forced to stay until the May
Day holiday is over, Arthur makes the best of it, enjoying the village
procession and fete.
But the villagers seem to know more about him than
they should, and there’s a second, darker, May celebration that starts when the
sun’s gone down. In the drunken revelry that follows, Arthur is whisked off in
a wild dance by Goodman, who plays the part of Jack in the Green, the spirit of
the greenwood.
Dancing turns to loving, but is everything what it
seems? And is one night all Arthur can have?
Note: this short story (approx. 7,500 words) was
previously published as The Green Man.
Excerpt:
The Morris men
were no longer in their gleaming white shirtsleeves; to a man they had blacked
their faces and donned their ragged coats, and the bells were silenced. The
clash of their staves together now seemed to Arthur sinister, almost
threatening. He shivered in the cool of the evening.
“I thought only
one of the men was to have a coat of rags—their, ah, wardrobe master, or
whatever they term him?” Arthur ventured to Mrs Ives, who stood proudly by his
side as her husband and daughter processed past.
“That may be how
they do things in some parts,” she told him with a sniff, “but it’s not the way
of things here. You ask Bob Goodman, he’ll set you straight.”
And then, as if
to speak his name were to conjure him forth, Jack in the Green himself came
whirling into their midst. No longer a stately observer, now he seemed
determined either to lead the dance, or to subvert it. Arthur stared as the
giant figure flung itself about as if the great costume were merely a
featherweight. There were cries of “Jack! Jack!” and other calls that Arthur
didn’t understand.
“Where’s Robin?”
a swarthy fellow by Arthur’s side shouted out across the revellers, his call
almost deafening in Arthur’s ear.
“A bowshot hence
in Inglewood !” came a reply from
the other side of the lane, with the curious ring of an oft-repeated ritual.
“And the maid?”
came the ear-splitting riposte. Arthur braced himself for another cry.
The dancers
stopped.
The sudden
stillness was almost as confusing to Arthur’s senses as the constant, whirling
motion had been. Slowly, stealthily it seemed, Jack in the Green crept nearer
to where Arthur stood—if such a monstrous being could be said in any sense to
creep.
Even the evening
breeze that had whispered its way down Arthur’s collar earlier seemed to be
waiting, breath caught, for the answer.
“Who knows?”
came Bob Goodman’s voice, soft but clear in the silence, sending a not
unpleasant tingle down Arthur’s spine.
“An’ who the
hell cares?” roared a Morris man, and amidst loud laughter and renewed beating
of the staves, Arthur found himself seized by the hands and swung into the
melee. Scrabbling not to lose his footing and fall, Arthur let the Morris men
pull him along, turning him until he was dizzy, now pulling him into the fray
until he feared he’d be injured by those great cudgels they wielded, now
pushing him back out until his cheek rasped against twiggy foliage as Jack in
the Green saved him from the ignominy of a fall.
Arthur’s head
was reeling by the time they reached the green and the great bonfire set up
there. The Morris men let out a great cry and began to dance around its
flickering light. Arthur, it seemed, had been entirely forgot.
Satyrs, Arthur
thought. They’re like satyrs, revelling in Arcadia .
The young women
of the village were there already, bare of foot and loose of hair, waiting to
welcome their queen to her own bacchanal. Arthur caught one last glimpse of
Lily’s face, shining in the firelight, and then she was gone with her sisters
to who knew where.
“Watching the
women? Now, we both know that’s not your usual pursuit, my fair young lad.”
Goodman.
He had divested
himself of his leafy encumbrance, yet the outlandish guise appeared to have
left a lasting mark upon his character. There was no sign, now, of the
respectful tradesman. He spoke to Arthur as to an equal.
Or at least,
Arthur hoped that he did.
The breeze had
picked up once more. Arthur shivered.
“If you’re
wanting to get warm, my lad, it seems to me you should be getting closer to the
fire,” Goodman said softly. “Or, as might be, farther away.”
Arthur
swallowed, and started as a calloused hand grasped his own and pulled it up to
roughened lips. He could feel the stubble that always darkened Goodman’s jaw
rasp against his knuckles as black eyes looked deep inside him.
3 comments:
I love this! I'm fascinated by Morris dancing and this story sounds right up my alley.
Very jolly indeed - makes me think of Shirley Jackson - can't compliment any higher than that
Thanks, Neil! And if you like Morris dancing, you must read Alex Beecroft's "Blue Eyed Stranger" which features a romance between a Morris dancer and a black Viking re-enactor. :)
http://riptidepublishing.com/titles/blue-eyed-stranger
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